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Go Back   PassPorter - A Community of Walt Disney World, Disneyland, Disney Cruise Line, and General Travel Forums > PassPorter Villa: Sharing the Fun Together > The Darkroom: Photography and Videotaping
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Old 09-19-2012, 01:23 PM   #1
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Settings for dark rides

I was wondering what settings people have the best luck with when shooting dark rides like Peter Pan and Pirates. I currently have an Sony NEX3 and was having a heck of a time getting decent non-flash shots. I was using the low light, no flash setting, but the ride vehicles were moving to fast for this setting to really focus on anything. Thanks!
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Old 09-20-2012, 12:21 AM   #2
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On Pirates I use a high ISO and try to keep my shutter speed up a little, and hope the boat don't rock too much. I gave up on Peter a long time ago, there is just no stability to shoot...
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Old 09-20-2012, 01:55 AM   #3
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For added stability, you might want to consider a monopod.
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Old 09-25-2012, 11:08 AM   #4
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If you're on a moving ride, in the dark... there are real limits. As Bill said, high ISO is a must (swap noise for blur). A fast lens (something faster than f2.8, let's say) may buy you a faster shutter speed, but really fast lenses are going to cost you. Since most affordable zoom lenses have variable apertures (the wide angle end of the zoom has a wider aperture than the telephoto end), zooming to wide angle can help - just count on capturing the big picture rather than the small details. That approach also helps to reduce apparent blur - zooming in (or blowing up and cropping afterwards) is going to magnify the effects of camera motion. Old-time sports photographers used to boast of their skill at panning to reduce blur (rotating to keep the subject centered). Finally, if you don't have a camera with some sort of image stabilization, you're at a distinct disadvantage. While it won't prevent blur due to being in motion, it will be a big help for camera shake.

Another help in this situation is to go to manual focus. I've missed more than a few ride shots because the autofocus is constantly re-focusing. And when you frame wide angle shots rather than telephoto, focus becomes less critical - set it, and forget it.

Still, in the end, I've gotten very, very few good shots while seated in a moving ride vehicle. The most satisfying solution of all may be to switch over to video mode - the eye is more forgiving of shake (well, short of the Blair Witch Project), and the shutter speed is automatically high enough to get around the worst camera shake problems.
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