As of January 1, 2019, we have closed our forums. This is a decision we did not come to lightly, but it is necessary. The software our forums run on is just too out-of-date and it poses a significant security risk. The server software itself must be updated, and it cannot be without removing the forums.
So it is with a heavy heart that we say goodbye to our long-running forums. They came online in 2000 and brought together so many wonderful Disney fans. We had friendships form, careers launch, couples marry, children born ... all because of this amazing community.
Thank you to each of you who were a part of this community. You made it possible.
And a very special thank you to our Guides (moderators), past and present, who kept our forums a happy place to be. You are the glue that held everything together, and we are forever grateful to you. Thank you aliceinwdw, Caldercup, MrsM, WillCAD, Fortissimo, GingerJ, HiddenMickey, CRCrazy, Eeyoresmom, disneyknut, disneydani, Cam22, chezp, WDWfan, Luvsun, KMB733, rescuesk, OhToodles!, Colexis Mom, lfredsbo, HiddenMickey, DrDolphin, DopeyGirl, duck addict, Disneybine, PixieMichele, Sandra Bostwick, Eeyore Tattoo, DyanKJ130, Suzy Q'Disney, LilMarcieMouse, AllisonG, Belle*, Chrissi, Brant, DawnDenise, Crystalloubear, Disneymom9092, FanOfMickey, Goofy4Goofy, GoofyMom, Home4us123, iamgrumpy, ilovedisney247, Jennifer2003, Jenny Pooh, KrisLuvsDisney, Ladyt, Laughaholic88, LauraBelle Hime, Lilianna, LizardCop, Loobyoxlip, lukeandbrooksmom, marisag, michnash, MickeyMAC, OffKilter_Lynn, PamelaK, Poor_Eeyore, ripkensnana, RobDVC, SHEANA1226, Shell of the South, snoozin, Statelady01, Tara O'Hara, tigger22, Tink and Co., Tinkerbelz, WDWJAMBA, wdwlovers, Wendyismyname, whoSEZ, WildforWD, and WvuGrrrl. You made the magic.
We want to personally thank Sara Varney, who coordinated our community for many years (among so many other things she did for us), and Cheryl Pendry, our Message Board Manager who helped train our Guides, and Ginger Jabour, who helped us with the PassPorter-specific forums and Live! Guides. Thank you for your time, energy, and enthusiasm. You made it all happen.
There are other changes as well.
Why? Well, the world has changed. And change with it, we must. The lyrics to "We Go On" for IllumiNations say it best:
We go on to the joy and through the tears
We go on to discover new frontiers
Moving on with the current of the years.
We go on
Moving forward now as one
Moving on with a spirit born to run
Ever on with each rising sun.
To a new day, we go on.
It's time to move on and move forward.
PassPorter is a small business, and for many years it supported our family. But the world changed, print books took a backseat to the Internet, and for a long time now it has been unable to make ends meet. We've had to find new ways to support our family, which means new careers and less and less time available to devote to our first baby, PassPorter.
But eventually, we must move on and move forward. It is the right thing to do.
So we are retiring this newsletter, as we simply cannot keep up with it. Many thanks to Mouse Fan Travel who supported it all these years, to All Ears and MousePlanet who helped us with news, to our many article contributors, and -- most importantly -- to Sara Varney who edited our newsletter so wonderfully for years and years.
And we are no longer charging for the Live Guides. If you have a subscription, it's yours to keep for the lifetime of the Live Guides at no additional cost. The Live Guides will stay online, barring server issues and technical problems, for all of 2019.
That said, PassPorter is not going away. Most of the resources will remain online for as long as we can support them, and after that we will find ways to make whatever we can available. PassPorter means a great deal to us, and to many of you, and we will do our best to keep it alive in whatever way we can. Our server costs are high, and they'll need to come out of our pockets, so in the future you can expect some changes so we can bring those costs down.
Thank you, thank you, thank you for your amazing support over the years. Without you, there's no way us little guys could have made something like this happen and given the "big guys" a run for their money. PassPorter was consistently the #3 guidebook after the Unofficial and Official guides, which was really unheard of for such a small company to do. We ROCKED it thanks to you and your support and love!
If you miss us, you can still find some of us online. Sara started a new blog at DisneyParkPrincess.com -- I strongly urge you to visit and get on her mailing list. She IS the Disney park princess and knows Disney backward and forward. And I am blogging as well at JenniferMaker.com, which is a little craft blog I started a couple of years ago to make ends meet. You can see and hear me in my craft show at https://www.youtube.com/c/jennifermaker . Many PassPorter readers and fans are on Facebook, in groups they formed like the PassPorter Trip Reports and PassPorter Crafting Challenge (if you join, just let them know you read about it in the newsletter). And some of our most devoted community members started a forum of their own at Pixie Dust Lane and all are invited over.
So we encourage you to stay in touch with us and your fellow community members wherever works best for you!
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Who Else Uses 35mm
I have, and continue to use a Canon EOS Rebel Ti 35mm camera. Actually, I have two. Does anyone else, in this day and age, still use a 35mm besides me? I love the digital age, but for me, a 35mm is much more personal and produces a lot more beautiful photos. I am considering taking one of my 35mms to WDW next year, but do not want to be bogged down by too much stuff, namely too many cameras. Have any of you taken a 35mm to the parks, and if so, was it a hassle for you?
I still have my 35mm, but since I went digital and purchased a DSLR, I rarely use it. For the parks, I have both the "big" camera - the DSLR and my small point and shoot. What a carry depends on the weather and if we are travelling bagless or not.
Its been a few years since I used 35mm. the idea of being limited to 36 pictures and not knowing if the camera setting will be good or if I got he shot is not worth the agravation or going theu the xray machine at the airport. A few years ago my cousin went with me and she still had a 35mm. She was snapping away on KS in AK . and missed a lot because she had to change film. I can remember haveing 2-3 pictures left on a roll and just using them up to have a fresh roll for the parade. I find the digital so much easier.
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I can't remember the last time I shot 35mm. I think the issue of "beautiful pictures" has more to do with your relative mastery of the film medium vs. digital than the intrinsic properties/benefits of analog vs. digital. If you know how to get great shots using film, it'll take a while to get to a similar level of mastery/control with a digital. So, if you're great with 35mm and just so-so with digital, and you prefer to get great shots on that special trip, go with your strength.
I was reminiscing last night about my old Nikon F (1967-vintage body), all the abuse it took (backpacking, whitewater boating), all the years it lasted, all the photos I took with it. Buying Tri-X in 100 ft. bulk rolls to be able to afford my habit. Doing my own b&w darkroom work in a converted bathroom in my parent's basement.. But I trashed the Nikon back in the mid-'80s, on a whitewater trip, and I never got back on my feet with another 35mm camera - by then I'd have needed to invest in all new equipment (my old lenses modified for Nikon F2 or F3-style auto-exposure... not the greatest idea), I had other budgetary requirements... So I got a fresh start with digital in the late 90s, after having done digital audio professionally for over 10 years. I can't imagine going back to film at this point. I just got back from a trip to the Pacific Northwest with close to 1500 images. I couldn't possibly have shot all those frames on a 35mm film budget. It could have been closer to 2000 images if I'd thought to auto-bracket my exposures on Mt. Rainier...
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I took an interest in photography back in high school, after taking some classes. Although I don't consider myself great with my 35mm, I have taken some decent shots. To me, I prefer the 35mm quality of photo as opposed to the digital; even tho I know it is a lot more convenient to use. I was just wondering if anyone still used the 35, and if they had any recent trips to Disney while using it. I am seriously considering taking it, and maybe storing it in a locker and then retrieving it later on for photos; but it seems more of a hassle this way.
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I love how other people's pictures look when they use 35mm but mine were never so good and by the time I found out it was too late to go back and retake them. I'm a very poor photographer so digital helps me a great deal. I've actually even stopped bringing my regular digital camera along and now I tend to just rely on my iphone camera.
I like 35mm A LOT. I liked the surprise of getting my photos back and seeing if I got the shot I expected. However, my husband is one of those guys who takes literally thousands of pictures over the course of a few days, and that would be impossible to do with film.
So, no, we take my little digital Elph and my husband's Canon DSLR. No 35mm.
During my years in broadcasting and film production, the trade publications were filled with articles about the "film look" vs. the "video look," and how video/digital could never duplicate/replace the aesthetic of film. (Heck, I was smack in the middle of the black vinyl vs. CD thing, too - strongly in favor of digital, by the way.)
While a certain amount of the differences really are a matter of technology, a lot of the perceived differences have to do with lighting and camera technique. In order to allow for the typical three-camera video shoot, TV studio lighting is designed to be consistently bright and even for all cameras, at all camera angles. Shadows are something to be banished, as a shadow that looks good to one camera may be horrible for another camera. To facilitate working "live," video folks prefer using maximum depth of field (everything in focus), rather than work with narrow depth of field ("selective focus") and risk losing a shot. This kind of lighting also accentuates contrast (like bright, mid-day sunlight). On movie sets, they usually use a single camera, and can therefore light the scene more selectively and dramatically. Shadow can be used creatively. They plan and rehearse every camera move (and have "focus pullers"), which allows them to use depth-of-field creatively. Hard contrast is generally avoided as a matter of aesthetics.
But... every piece of film you see on TV, every piece of film that looks like film when you watch it on TV, has been converted to video/digital by scanning the film. And today, more and more "films" are being shot in digital video, using film-style lighting and camera techniques. If the video "look" was intrinsic to electronic photography... film viewed on TV shouldn't look anything like film, but it does.
Modern digital imaging equipment is more than capable of delivering exceptional images, and digital "darkroom" techniques are capable of doing things film photographers could only dream of. But a digital camera, used badly, is going to look horrible compared to 35mm done well. And vice verse.
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